Awesome Giorgio Armani SS2014 Collection

Typically I’m a bigger fan of the Fall/Winter styles, but this is a knockout Giorgio Armani collection for next summer. Numerous excellent, soft jackets, some with really outstanding lapel details and interesting gorges; pants that derive gently from the sportier FW2013 collection, and most importantly models who look like they can wear these clothes properly in the real world. There were even some shoes I really liked, which is unusual. Sometimes when you talk to Giorgio Armani boutique staff they will discuss which collections have been strong or weak sellers, but I can already see that SS2014 will be a popular direction, and I’ll personally be picking up several of these items. Awesome collection.

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The Runway vs. Real Life

Earlier today I was reviewing some runway shots from the Armani SS13 Privé collection and it struck me that this is the second time I have seen runway models making Giorgio Armani collections look a bit frumpy. Take a look at the faces of the models in the Paris haute couture show earlier this year to see what I mean (thanks to Vogue Italia for the pictures).

Now I freely admit that not all Giorgio Armani clothing looks great – maybe that is unexpected from someone like me, but even I don’t like every single thing I see on the racks or in the collections, especially some of the more patterned and obvious clothing. But some of those Privé dresses are stunning; just block out the faces of the models and see what I mean.

I noticed this also in the January FW 2013/14 Men’s show photos. And in that case it struck me that the models are too young to be wearing those clothes. The black label Giorgio Armani lines are designed for buyers in the 35-55 range, and yet the models all seem to be about 18-25 – callow youths, to borrow a phrase. I would prefer to see some of those looks, like the one below, being worn by a more solid, mid-30’s model – and I own that jacket, by the way, or maybe one very like it.

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Now in that men’s collection Armani went very sporty, with tightly tailored pants and all kinds of interesting fabrics, textures and closures. But does that mean only the younger models can wear those styles? No. I don’t think some of the younger models can wear these clothes and move in a way that makes them come alive. They don’t have the physical and emotional presence to catapault those outfits into the real world. They look good, but not great.

In contrast, I saw some amazing women’s outfits in the February FW 2013/14 Women’s RTW collection, and in the SS13 RTW line , and in both those cases the models and clothes worked – the styling and line of the models blended with the nature and texture of the clothes. Look back at older shots of Armani models from the 1980’s – again they worked brilliantly, stunningly well.

My – perhaps obvious – view is that there needs to be a marriage of the clothes and the selection and styling of models wearing them, to give the garments the chance to glow and sparkle. I can imagine it is not always easy to get all the elements just right, even if you are a highly detail-oriented designer like Giorgio Armani.

But when it is right, and you see how these clothes were meant to work, they just explode off the page, and you want to have them in the real world, where they can, hopefully, work that incredible, subtle magic on your tired, lumpy, old, broken frame…

The First Giorgio Armani Design Office

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Corso Venezia 37, Milan. Situated just off the edge of the quadrilatero della moda, this was the location of Giorgio Armani’s first “official” design office, setup in two rooms in this building in 1973 when Armani was already 39 years old, and partially financed by selling a second-hand VW. While at this point there was no corporation – it was founded two years later – Giorgio Armani established this office and ultimately the company with his companion and business partner Sergio Galeotti. Galeotti ran the business end of the company during the early years of high growth and rapid success, until his untimely death in 1985. Most of the work carried out here was design consulting business for labels like Cerutti & Zegna, including runway styling, during which period Armani formed what was to become a recognizable house style. I find it interesting to see how such huge companies start out in life – the means and mechanisms applied to achieve success are often lessons that can be learned and re-applied in other circumstances.

The final photocall : Giorgio Armani and the FW2013/14 models

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The show is over, the VIPs have been thanked and photographed snuggling with Giorgio Armani, and there’s just time for one final photocall to sum up the show and the look, before turning to the next show, the next season, the next look – and with the Armani Privé show on 22 January in Paris it’s not that far away…

Giorgio Armani takes a Bow

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It’s amazing to me just how quickly these shows pass by. I can imagine all the work that goes into creating each piece, and each one literally flashes past you in a few seconds. I must admit a while back I thought that people taking notes at these shows was a bit much, but now I can completely understand why they need to do that – you are looking at individual pieces, but also trying to spot themes and quirks, and they come at you very fast. But even from the 5th row you can see everything quite clearly – much more clearly than these photos show. It was a very nice show, congratulations on the new collection Mr Armani.

Inside Teatro Armani at the Giorgio Armani FW2013/14 Runway Show

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Last night an email from WordPress reminded me it was exactly one year ago yesterday I started this blog, and here I am one year and a lot of shopping and blogging later at what must be one of the world’s premiere live events for men’s style and fashion. I have to say I am giggling slightly to be here, and enjoying the experience immensely – thanks very much, once again, to Monica and Gianluca, as well as Roberto and Stefano in Florence for allowing me to come to this event. One year ago I just wanted to track progress of a fun little project, and now I’m here watching the absolute epitome of style and elegance in person, and thousands of people hit this journal each week to find out what’s going on. To say it is a bit startling is an understatement…

Good Morning from Teatro Armani

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As the crowds start to gather outside the main entrance to Teatro Armani, and – I think – I’ve already spotted Christian Bale, aka Batman, who wore Giorgio Armani suits in the Bruce Wayne persona. The invitations are very cool, and contain an RFID chip – so even if you know what they look like, you can’t copy them.